Lesson Notes By Weeks and Term - Senior Secondary School 3







  1. The Mastery of Literature for 2011 to 2015 by Iwuchukwu Chinweikpe Esq.
  2. Essential Literature-in-English for SSS (second edition) 2011-2015 by Ibitola, A. O.
  3. Exam Reflection Vol. IV, Literature- in-English by Sunday Olateju Faniyi.
  4. Exam Reflection Literature-in-English (Drama & Prose) by Sunday Olateju Faniyi.  
  5. Purple Hibiscus by Ngozi Chimamanda Adichie
  6. Lord of the Flies by William Golding.
  7. The Importance of Being Earnest by Oscar Wilde.
  8. The Blinkards by Kobina Sekyi.








Chimamanda Ngozi Adichie was born in Nigeria in 1977 to the family of Professor James Nwoye 

Adichie and (Mrs.) Grace Ifeoma  Adichie.  Her short fiction has been published in literary 

magazines in Nigeria, the U. K. and the U. S.  Purple Hibiscus is her first novel published in 2006.



The background of the book is all about the period when the military were in charge of Nigeria.  It 

is a time that the civil rights of the people and the constitution are suspended for the decrees of 

the military.  And under this dispensation, it was a taboo for civilians, in whatever form, say, the 

press, newspapers, political parties, pressure group etc.,  to confront the government.  This was the 

period in which the characters, particularly Papa (Uncle Eugene), the father of Jaja and Kambili 




The story begins in the home of Eugene (Papa as fondly called by his children), who on realizing 

that his son, Jaja broke God’s Palm Sunday by not attending Mass for the day, got ablaze with 

anger over his son.  This anger nursed and nurtured right from the church becomes fully expressed 

as “Papa flung his heavy missal across the room and broke the figurines on the étagère” (p. 11).  

This is when “Things started to fall apart at home…” as Jaja stands to reply his father to his face.  

The continued effrontery from Jaja to Papa, even at the dinner table, makes Kambili sickly as “My 

body shook from the coughing”  (p. 22), and she’s forced to stay “… in bed and did not have 

dinner with the family”.  In her bed, she thought to know what possessed Jaja, and so “… let my 

mind rake through the past, through the years when Jaja and Mama and I spoke more with our 

spirits than with our lips.  Until Nsukka,  Nsukka started it all;  Aunty Ifeoma’s little garden…” 

(pp. 23-24), and we are lunched into the history for Jaja’s revolt to his father’s standards on 

God’s palm Sunday.  After Kambili’s effort to intimate us with all the past, we are linked to the 

corollary of breaking God’s palm Sunday.

        The plot account of the book depicts the experiences of a Christian family of four who lived in Enugu under a military regime.  Papa who is the head of the family, a devout catholic, saw it a 

misnomer to disobey any doctrine of the Roman Catholic.  He is a man of great personality, who 

owns several factories and a newspaper house called ‘Standard’. He is a great pillar for many to stand, such as: Saint Agnes Cathedral, Destitute and his village community.  He stands against every form of corruption through the effort of his paper and his editor, Ade Coker and is well cherished and respected by the people of Saint Agnes church, his workers and the people of his community; that was why he got the chieftaincy title ‘Omelora’ (one who does for all).  He is an extremist, who believes in impeccability, as he deals decisively with those he tags ‘heathen’.

         The story continues that the nature of Papa in upholding “righteous living” drove Ade coker 

 to his death.  And his nature also makes Amaka to consider Jaja and Kambili, abnormal.  This

(Papa nature) also forces Kambili and Jaja to request for and want more of the visits to Nsukka.  It 

follows that after the death of Ade Coker and Papa Nnukwu, and while Kambili and Jaja were 

away from home, Papa displayed one of his traits as a “christian” by hitting his wife, Beatrice, who 

was pregnant unknown to him, with one of the centre tables in their house.  Mama, Beatrice, has 

no other choice but to poison Papa’s tea.  And Jaja who is in the nature of protecting his mother 

and sister, decides to give himself up in place of his mother to be responsible for his father’s death 

after it was discovered by the autopsy that Papa died of poison.  

         Jaja is reprimanded in the prison for close to three years before chances of freedom became known to the surviving family.



The contextual setting noted in the book, Purple Hibiscus, is Nigeria.  But the textual or immediate 

settings in the story are Papa’s house in Enugu, Saint Agnes Church and Father Benedict’s house 

in Enugu, Kambili’s School, Papa’s house at Abba, Catholic Church at Abba, Papa Nnukwu’s 

house, Aunty Ifeoma’s house at Nsukka, the market places both at Nsukka and in Enugu, and the 


       The above settings mentioned served as a stage for the actions or events captured in the book, and they further help to give the text the local identity it possesses.



Chimamanda Ngozi Adichie, as a writer, sorts to enlighten her readers with some vital lessons 

through her novel on how to manage one’s faith and relationship in the family.  These lessons 



Theme of Modesty and Perfection

This is seen between the relations of the family of Uncle Eugene and the outside world.  It 

happened that Papa (Uncle Eugene) who is a wealthy man having several factories and a 

newspaper house, and living in an edifice, opted for a standard that is in no wise less to perfection.  

This is evident in his relationship with his children when they are at the dinning table.  It begins 

that there is a systematic but stereotyped method with which the family have their meal.

        It is also seen at the moment Father Benedict was raining praises on Eugene in the church that 

Kambili decided on putting on a straight face not to betray the advice or instruction given by her 

father that one does not respond to praises in public by chuckling or smiling in order to be modest.  

The display of continuous confession even at meal time and the concomitant punishments on his 

children any time he considers them to have sinned, is a trace to and trait of perfection and 

modesty according to Eugene.


Theme of Love and Hatred

In the book, there are a countless displays of love across the characters.  First, the love displayed

by Kambili to her father, especially the moments she takes a love sip from Papa’s tea. Love as 

idealized by Kambili is well captured and expressed in her believing that her father was right when 

he pours hot water from a kettle on their legs, and hits their mother with a table in the sitting room, 

which all stand as correction based on love.  On the other hand, Kambili’s cousins displayed their 

unquenchable love towards their grandfather, irrespective of being a ‘heathen’ against the beliefs

of Eugene.  Love also is seen in the sudden but gradual acquaintance made between Kambili and 

Father Amadi, that at the end of their last meeting, she confessed to him her love.

       Love as a theme in the novel is also intercepted and interjected by hatred at different phases which made Jaja to give himself up as the murderer of his father, in place of his mother (the real 

murderer).  Hatred also in the book, though clumsily based on religious grounds, made Uncle 

Eugene to refuse his father entrance into his compound in the village.  It is further displayed in his 

‘decisive treatment’ of his children when they spent 25mins instead of 15mins at Papa Nnukwu’s 

house, and when Jaja and Kambili hid Papa Nnukwu’s visit to Nsukka from him, even when it was 

Christmas and a holiday respectively.


Theme of Religious Supremacy

This is a theme that is of greater preeminence.  It is the coy that holds the different parts of the book 

together.  In the book, Papa (Eugene) in an effort to assert the supremacy of his religion over Papa 

Nnukwu’s, decided to neglect his responsibilities of providing the up-keep of Papa Nnukwu and 

asking him not to come to his house.  This is further displayed in his refusal to assist Aunty Ifeoma 

when she was bankrupt, because of her interference with Papa Nnukwu.  The scene surrounding the 

chieftaincy title he got is not to be relegated.  Papa had to seek Father Benedict’s consent on 

whether he should accept a title as pressed by the people of his community, on the grounds that it 

is normally attached with things of a lesser god from a lesser religion.  The opening of the book 

where Papa threw the Missal at Jaja for refusing to attend Mass on a Palm Sunday, is also a strong 

point for this theme.


Theme of Maltreatment and Threat

Threat in the book is seen to come from the military government to ‘truth-Sayers’.  This threat is 

given to stop the activities of Ade Coker as the editor of the Standard newspapers and it was 

actually carried out.  Threat and Maltreatment does not just stop there, it is also displayed in Aunty 

Ifeoma’s house in relation to her job as a lecturer in the University of Nsukka at Nsukka.  It is also 

identified in the manner in which Uncle Eugene corrects his children and attends to his wife.



  1. Give a detailed plot account of the novel, Purple Hibiscus.
  2. Discuss two major themes of the book, Purple Hibiscus.


Papa (Eugene)

He is the husband of Mama (Beatrice) and the father of Jaja and Kambili.  He is a wealthy Nigerian 

that owns several factories and a newspaper house; a devout Catholic who uncontrollably became a 

fanatic from a brand of Catholicism which objects to every form of acts that he considers 

‘heathen’.  He is under the spell of the western culture, style of worship, and behavioural pattern.  

He is constantly attacked by inferiority complex as he consciously and unconsciously detach 

himself from his cultural and traditional existence in his actions and inactions on the bases of being 

an ardent catholic.  He is a philanthropist to the church, his workers, beggars and his community, 

but a saddist to his father and all who he considers heathen or who toe the heathen line.  He is not a 

modest man, as he claims, at home.  He flogs and beats the wife even at pregnancy which is 

against the culture of the western world he imitates.  He remains a flat character throughout the 

text, and this provoked his death by his wife.  There was no genuine father-children love in their 

home.  He is an idealist.


Mama (Beatrice)

She is the mother of Jaja and Kambili, and the wife of Papa (Eugene).  She is a member of ‘Our 

Lady of the Miraculous Medal prayer group’.  She is humane and understanding.  This is seen in 

the manner she treats members of the ‘Umunna’ during Christmas, the way she pities Aunty Ifeoma 

on her present state, and how she condones her husband and manages her home.  She is a full time 

house-wife who is not very educated like her husband.  She had experienced several miscarriages 

before the one she told Kambili of.  She is manhandled by her so-called modest husband for every 

little offence.  She, until almost the end of the story, remained a flat character, but developed by 

changing from a selfless and harmless house-wife into a secret murderer as a punitive measure for 

the safety of her life and that of the children.  She is innocent that she confessed the truth to her 

children behind their father’s death.



He is the son of Papa and Mama, and a brother to Kabili.  He is a brilliant boy and always loves to 

protect Kambili and his mother.  He is a round character as we saw him transform from a gentle 

and fearful kid into a fearless and bold boy as he talks back at his father to his face.  He expresses 

great love for Kambili and Mama, but great hatred for Papa, which made him to give himself up as 

the killer of Papa in place of his mother who actually poisoned Papa (her husband).  He is a 

shadow of his father, as he dislikes every tailored lifestyle proposed by his father on him even in 

and out of the house.  The story started with his breaking of God’s Palm Sunday which expedites 

the tragedy in the family.  He never fantasized any of his father’s treatment to be love as did by 

Kambili in the text: he is realistic.


She is the daughter of Papa and Mama, and a sister to Jaja.  Kambili always comes first in her 

class, but on an occasion she came second due to the accident surrounding her mother’s pregnancy, 

was not spared by her father who followed her to her class in school.  She has a dual role or 

personality in the book as she stands as the narrator and a character.  Kambili is considered to be a 

snob by Jideze and her classmates because of the discipline instill in her by her father.  This further 

made Amaka to consider her and Jaja as adnormal when they visited Nsukka.  She fantasizes every 

action of Papa to be love even at the expense of her happiness, and always seeks for love sip from 

her father’s tea.  She lived a tailored life as guided by the schedules made by her father.  She seems 

to be over-conscious of her actions, so that, she does not betray her anti-social behaviour before 

others.  Kambili is over-emotional which is identified in her confession to father Amadi.  She 

hated her mother for poisoning her father.


Aunty Ifeoma

She is Eugene’s sister and Aunty to Jaja and Kambili.  She is the mother of Amaka, Obiora and 

Chima.  She is the wife of Ifediora.  She is a lecturer and lives at Nsukka with her children.  At the 

neglect of Eugene, she solely attended to Papa Nnukwu (their father) until his death.  Unlike 

Eugene and his family, Aunty Ifeoma troops in with her children to see part during Christmas.  She 

is a lively fellow who believes in freedom of association.  She does not hate her father (Papa 

Nnukwu), because of his faith or belief.  She is seen to be an activist and an agent of positive 

change. She was intimidated and harassed by members of the school security on invalid grounds.  

Her house becomes an orientation camp for both Jaja and Kambili in order to liberate them from 

the impression instill in them by their father from out of a brand of extreme Catholicism. She 

stands as a support to Beatrice anytime situations call for that. She is friendly, even to the young 

priest, father Amadi.  She becomes a widow in the story and went through hard times of providing 

for her children and standing up to the insults from her in-laws’ ‘Umunna’.  She, at the end, 

secures a teaching appointment abroad, which rescued her from the embarrassment of the striking 

situation of the school authority.  She is a catholic, but not an extremist like Eugene.  She is 

contemporary in her dress code as she laces her lips and eye-brows with sharp paintings.



She is the daughter of Aunty Ifeoma, and sister to Obiora and Chima.  Her father is late.  She is a 

cousin to Jaja and Kambili.  She is seen to be precocious and exhibits a high sense of rationale 

throughout the text.  She is vocal and blunt that she can be mistaken for her mother (Aunty 

Ifeoma).  She looks like Aunty Ifeoma and shares same perception to fashion and mannerism.  She 

is well-bred to prepare all kinds of dishes, especially local ones.  Amaka felt disappointed with the 

attitude or quiet nature of her cousins that she considered them abnormal.  She is a true Nigerian as 

her love for everything home-made as seen in her choice of music is second to none.  She is a very 

talkative like her mother, as they both can not do without it.  She possesses outstanding qualities 

even as an artist.  She expresses great love for Papa Nnukwu and goes ahead to draw him as one 

of her art works.  She constantly teases Father Amadi over her cousin, Kambili, and also, a tease to 

Kambili and over situation that require her teasing.





He is a brother to Amaka and Chima, and a son to Aunty Ifeoma.  He is also a cousin to Jaja and 

Kambili.  He is younger than Amaka.  He uses a pair of glasses and acts like an intellectual even in 

his arguments throughout the text.  He is pragmatic as he saw no use for staying back in Nigeria 

while America stood as an alternative.  He is lively and enjoys the company of others (Jaja and 

Father Amadi).  He does almost all the masculine chores at home and takes over the position of his 

late-father at home.  He is objective and less of a tease compared to Amaka.



He is the last son of Aunty Ifeoma and the baby of the house.  He is lively and enjoys every 

spirited talks from his elderly siblings, and his mother.  He loves sumptuous meals that come 

with the visit of Jaja and Kambili, and also wished for more of their visit.  He is also inquisitive 

like his elderly ones.  He is child-like but loving.


Papa Nnukwu

He is the father of Eugene and Aunty Ifeoma, the grand-father of Jaja, Kambili, Amaka, Obiora 

and Chima.  He lived in a mud house which is different from the big compound of his son in Abba.  

He is loved by his daughter (Aunty Ifeoma) but despised by his son (Uncle Eugene) for being a 

heathen.  He is forbidden by his son (Eugene) to enter or visit his (Eugene) compound because of 

his traditional belief.  He is a critical analyst in the story even as he compares the similarities and 

dissimilarities the traditional religion and the Christian religion possess.  He is a jovial and loving 

person to especially his grand-children.  He is a victim of circumstances as he could not enjoy the 

dividend of having a wealthy son, who has several factories and a newspaper.  He lived a wretched 

life but for Aunty Ifeoma who occasionally intervened.  He later died at Nsukka in Aunty Ifeoma’s 


Ade Coker

He is Papa’s (Eugene) editor of Standard newspapers, and the husband of Yewande.  He has two 

children.  He is a fearless man as he confronts and accosts the military government with his writing 

and provokes tension for the military.  He was arrested for a while and later released by the

military, but refuse to stop his line of criticism on the military, and was later killed by the military.  

He is lively and funny.  He is principled and abhors all forms of corruption even in the face of 

death.  He is reliable, positive and friendly.


Father Benedict

He is the priest (reverend father) of St. Agnes Catholic Church who is still called ‘our new father’ 

because of his colour.  He is a white (foreign) father who completely dislikes everything 

(Nigerian) home-made or traditional for the benefit of his western culture and tradition.  He 

enforces the members of the cathedral to see the use of their mother tongue during worship or in 

church to be archaic and sinful, but makes them to put up every western attribute in their style or 

mode of worship to God.  He loves praising Papa while in church for the contributions he made to 

church and Papa’s effort to confront the military government.


Father Amadi

He is a young priest who once visited St. Agnes Catholic Church and broke the sacred rules by using 

his mother tongue while conducting a mass.  By fate, Kambili and Jaja meet him in one of his 

visits to Aunty Ifeoma’s house at Nsukka, and are told that Father Amadi is the new priest for the 

campus.  He is affable and good looking.  He is a good friend of Aunty Ifeoma’s family and loves 

sport.  He is a direct opposite of Father Benedict in taste and in manner.



Chimamanda Ngozi Adichie’s style is her manner of writing.  That is all the ploys she exhausted in 

her work.  One outstanding feature in her book is that of participant/personalized narration.  In this 

kind of technique, the narrator of the story is also a character, and that is Kambili.  Through 

Kambili the story is told and the actions of other characters are revealed, yet she was a character in 

the book who has a father that becomes a fanatic by a brand of Catholicism.  She is a major 

character, and also, the protagonist in the book as all actions seem to attack her feelings.

         Also, as Adichie’s style is her use of code-mixing with words from her vernacular.  This is 

beautifully used by her in the text that most readers would confuse her for Achebe.  In other words, 

her style is Achebean.

        The style employed by her in plot structure is also distinct by her use of flashback.  In the book, Adichie uses this technique to arouse the interest of her readers to go through the text or story with her without wishing to stop until the story is complete.

        In order to domesticate the story, besides using her vernacular, Adichie deems it feat to mention real societies in Nigeria.  And they are:  Enugu, Nsukka and Aba, in the Eastern part of Nigeria.



1    Discuss the role of Jaja in the book, Purple Hibiscus.

  1. Discuss the narrative techniques of the book, Purple Hibiscus.


  1. “The star blinked and the wind wailed” is an example of _____

    (a)  antithesis     (b)  euphemism    (c)  metaphor    (d)  parody    (e)  personification

  1. Pick out the odd item from the following_______

    (a)  comedy     (b)  octave     (c)  Quatrain    (d)  sonnet    (e)  sestet

  1. “United we stand, divided we fall”, illustrates the use of __________

    (a)  anti-climax    (b)  antithesis    (c)  climax   (b)  irony    (e)  sarcasm

  1. The writer’s freedom to use words to suit his own purpose is called_____

    (a)  author’s freedom     (b)  author’s license    (c)  poetic freedom   (d)  poetic license

    (e)  writer’s license

  1. The expression, “Before Idi Amin breathed his last he admonished his children to shun violence” is a/an ________

    (a)  anecdote      (b)  metaphor    (c)  euphemism    (d)  onomatopoeia    (e)  paradox


1    Discuss the sociological import of the book, Purple Hibiscus, and its significance.

  1. Write short notes on the following:  Papa, Aunty Ifeoma, Kambili, Amaka and 

    Papa Nnukwu.



1    Exam Reflection Literature-in-English (Drama & Prose) by Sunday Olateju Faniyi, pgs 129-155.


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